![]() The two succeeding chapters, which examine the electronic bookfrom the vantage point of interactivity, discuss the active reader demandedby electronic text in relation to discursive and fictional prose. Chapter six thus openswith a discussion of the idea of the book, moves to notions of great booksand encyclopedic order, and thence to electronic encyclopedias, libraries,and environments, and ends with discussions of two large hypertext projects- Greg Crane's Perseus Project and Ted Nelson's Xanadu. A second chapter sets forth the novel qualities of computers as awriting medium, after which chapters three through five draw upon contemporarycritical theory, particularly upon that of Jacques Derrida, to examinewriting as a form of technology with particular emphasis upon its visualelements and underlying cultural assumptions,Ĭhapter six, which opens the book's second section and is entitled "TheConceptual Writing Space," moves from writing (as act, technology, andproducer of text) to books and other text units. How the reader and writer understand writingis conditioned by the physical and visual character of the books they use"(11). Each technology givesus a different space. All formsof writing are spatial, for we can only see and understand written signsas extended in a space of at least two dimensions. In a valuable introductory chapter that offers definitions of hypertextand hypermedia, Bolter argues that they represent only the the latest kindof writing space, and by this term, he explains, he means the "physicaland visual field defined by a particular technology of writing. He is also a classicist, and his background as a student of culturein the days before the Gutenberg revolution provides an invaluable knowledgeof the history of information technology generally absent from most whodiscuss computers, hypertext, and writing. Snow's two cultures - orrather in which electronic computing reveals that, like it or not, thetwo cultures have all along been so inextricably intertwined that theymerge into one.īolter, who here moves far beyond his earlier Turing's Man: WesternCulture in the Computer Age (1984), is one of the authors of Storyspace,a hypertext environment for the Macintosh, which is distributed by EastgateSystems. P., 1991), Bolter'sexcellent book represents a new kind of study, one in which electroniccomputing serves as the bridge between C. P., 1988), and Mark Turner's Reading Minds: The Study ofEnglish in the Age of Cognitive Scienc (Princeton U. P., 1987),William Paulson's Noise of Culture: Literary Texts in a World of Information(Cornell U. Like Michael Heim's ElectricLanguage: A Philosophical Study of Word Processing (Yale U. It is also the only onewith any sense of the way the implications of hypertext relate to thoseof earlier, even ancient information technologies. ![]() Certainly, it is the only book on hypertextwith any real sense of historical perspective. Jay David Bolter's study of hypertext and the history of writing fromcuneiform and hieroglyphics to the computer is quite simply the finestbook about hypertext available. ISBN 1-56321-067-3įrom The Journal of Computing in Higher Education 3 (1992): Hillsdale,New Jersey: Lawrence Erlbaum, 1991. Jay David Bolter, Writing Space: a Hypertext. Hillsdale, New Jersey: Lawrence Erlbaum,1991. Jay David Bolter, Jay David Bolter, Writing Space: The Computer, Hypertext,and the History of Writing. It's difficult to see jay david bolter in a sentence.Jay David Bolter and Richard Grusin suggest that Mulvey s " male gaze " coincides with " the desire for visual immediacy ", the erasure of the medium for uninhibited interaction with the object portrayed, which feminist film theorists treat as " a male desire that takes an overt sexual meaning when the object of representation, and therefore desire, is a woman ".He is most known for his 1999 book, " Remediation : Understanding New Media " ( co-authored with Jay David Bolter ), which is nationally and internationally regarded as a founding text of the field of new media studies."afternoon " was first offered to the public as a demonstration of the hypertext authoring system Storyspace, announced in 1987 at the first Association for Computing Machinery Hypertext conference in a paper by Michael Joyce and Jay David Bolter.Jay David Bolter and his writing partner, Richard Grusin, make the claim in their text " Remediation : Understanding New Media, "".Its software tools include Storyspace, a hypertext system created by Jay David Bolter, Tinderbox, a tool for managing notes and information.
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